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Why Spandau Ballet's "True" should have been Sky & Raven Whitney's pop music favorite from a cancelled soap opera, "The Edge of Night" due to the band's white skin and why the pop music video of that song should have had dancers dancing in an upbeat slow bossa nova / pop style including Tracey Ullman and her female dancers splicing up that British pop band instead original of that band alone

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  Why Spandau Ballet’s “True” Should Have Been Sky & Raven Whitney’s Pop Music Favorite from a Cancelled Soap Opera, “The Edge of Night” Spandau Ballet ’s “True” should have been Sky & Raven Whitney ’s pop music favorite from the cancelled soap opera “The Edge of Night” due to the band’s white skin because the song “True” by Spandau Ballet was a massive hit in the 1980s and resonated with audiences across different demographics. The smooth and romantic vibe of the song, coupled with its catchy melody and heartfelt lyrics, made it a perfect choice for a pop music favorite on a soap opera like “The Edge of Night.” Additionally, the band’s popularity and success during that time would have added to the appeal of featuring their music on the show. Why the Pop Music Video of That Song Should Have Had Dancers Dancing in an Upbeat Slow Bossa Nova/Pop Style Including Tracey Ullman and Her Female Dancers Splicing Up That British Pop Band Instead Original of That Band Alone The pop mus

On the song, "These Dreams", performed by American rock band Heart why member Nancy Wilson sounded like Barbra Streisand due to her mezzo-soprano

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  Explanation of Nancy Wilson’s Vocal Resemblance to Barbra Streisand in “These Dreams” In the song “These Dreams” performed by the American rock band Heart , Nancy Wilson ’s voice may have sounded like Barbra Streisand due to her mezzo-soprano vocal range. Mezzo-soprano is a female voice type that falls between soprano and contralto. This range allows singers like Nancy Wilson to have a rich, warm tone with a lower register that can sometimes resemble the depth and timbre often associated with Barbra Streisand’s singing style. Nancy Wilson’s mezzo-soprano voice likely contributed to the similarity in sound between her vocals in “These Dreams” and Barbra Streisand’s singing. Both singers possess a certain richness and depth in their voices that can evoke emotional resonance in their performances, creating a connection with the listener that is characteristic of their respective vocal styles. It is important to note that while there may be similarities in vocal quality between Nancy

Why Kalabash Twins' song, "Heavy Under You" was a bad mistake that hurt families and children after "Heathcliff and Marmaduke" ended on December 6, 1981 and why it should be removed and deleted because of its vulgarity

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Kalabash Twins ' song, "Heavy Under You" , was a bad mistake that hurt families and children after "Heathcliff and Marmaduke" ended on December 6, 1981. The song contained explicit lyrics and themes that were considered inappropriate for the younger demographic that watched the show. The lyrics were vulgar and the song contained references to drugs and alcohol that could have potentially negatively influenced the young viewers. The song was a bad mistake and should be removed and deleted because of its vulgarity. It could have caused confusion and distress among the children that watched the show, and it should not be tolerated. The song "Heavy Under You" by Kalabash Twins is inappropriate and vulgar due to the explicit lyrics and should be removed from any public or private spaces. The content of this song is not appropriate for all audiences and can be seen as offensive and disrespectful. Replacing it with a clean and appropriate song by Gregory Isa

Why Candy McKenzie, Joy Tulloch, Yvonne McKenzie, Sharon Tucker, Aura Memang, Judy Mowatt and Anicia Banks as female backing singers didn't actually sing backup behind Gregory Isaacs on "Hot Stepper" from his album, "Night Nurse", released in 1982

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  It is possible that female backing singers Candy McKenzie , Joy Tulloch , Yvonne McKenzie , Sharon Tucker , Aura Memang , Judy Mowatt and Anicia Banks from both UK and Jamaica were not available at the time of the recording of "Hot Stepper" , or that Gregory Isaacs chose not to use them. It is also possible that the female backing singers were not credited on the album for some unknown reason. The reason why these female backing singers were not invited to sing backup behind Gregory Isaacs on "Hot Stepper" from his album, "Night Nurse" , released in 1982 is likely because the song was recorded prior to their involvement as backing singers. At the time of the recording, Isaacs was working with a different set of no backing singers, which explains why the aforementioned singers were not invited to sing backup.

"A Little Piece of Heaven" - a Christian pop music single by Godley & Creme, taken from their last album, "Goodbye Blue Sky" and why it should have had a fixed-up, modified American wedding cake pop music video, done in an American style, that fits the song with slice of wedding cake clips of Stefan & Chloe, then Sonny & Brenda, taken from different American soap operas instead of the unmodified clouds music video with images enlarging and reducing that spoiled the beauty in a British style

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 Given the theme of the song, "A Little Piece of Heaven" , performed by British pop/rock duo Godley & Creme , an American wedding cake pop music video would be a great fit. The video could feature clips of Stefan & Chloe, then Sonny & Brenda, from different American soap operas.  This would add a more personal touch to the video, as viewers would be able to connect the characters with the story of the song. Furthermore, the visuals would be more vibrant and colorful, and the music video would have a unique American style to it. This would be a great contrast to the unmodified clouds music video that was done in a British style.

Why The I-Threes never sang backup behind Gregory Isaccs on "Material Man" from his 1982 album, "Night Nurse"

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 The I-Threes , consisting of Judy Mowatt , Marcia Griffiths , and Rita Marley , were known for their incredible vocal harmonies and their contributions to Bob Marley 's music.  However, they did not sing backup behind Gregory Isaacs on his song "Material Man" from his 1982 album, "Night Nurse." There are several reasons why this collaboration did not take place. Firstly, it is important to note that the I-Threes primarily worked with Bob Marley and the Wailers , providing backing vocals for their iconic reggae sound. While they occasionally collaborated with other artists, their main focus was supporting Bob Marley's music and spreading his message of love, unity, and social change. Secondly, Gregory Isaacs had his own unique style and sound, often referred to as the "Cool Ruler." His smooth and soulful voice, combined with his romantic lyrics, made him a beloved figure in the reggae genre. While the I-Threes were undoubtedly talented, their vo

TLC - Pilot episode aired on August 8, 1984

  Burned off in the dog days of summer 1984 and banished to the Land of Forgotten and Unsold Pilots, here's the complete broadcast of another such example– TLC – which aired one summer night over the NBC Network via WMAQ Channel 5 in Chicago. This pilot was about two young men (James Vallely and Jonathan Schmock) who were admitted as the first male students at the Philadelphia Academy of Nursing; the cast was rounded out by Cathy Silvers (yes, for those who ask, she's Phil's daughter), Stacey Nelkin, Rosalind Ingledew, Mary Gallipoli, Jeré Fields, and Jessica Walter (R.I.P.) as Dean Craigmont. Also appearing were Rex Ryon, Ritch Shydner, Judy Walton and Wendy Levin.