Back to the 1980s

Overview of “The Rain” Oran Jones, an artist known for his sweet soul singing style, released “The Rain” in 1986. This track is characterized by its smooth melodies and emotive vocal delivery, which are hallmarks of the soul genre. The song blends elements of R&B with a contemporary sound that was popular during the mid-1980s. Musical Composition and Style The musical composition of “The Rain” features lush instrumentation typical of soul music from that era. It includes rich harmonies, a steady rhythm section, and melodic lines that showcase Jones’s vocal prowess. His singing style is often described as smooth and soulful, which resonates well with listeners who appreciate emotive performances. In contrast to the sweet soul singing present throughout most of the track, there is a spoken-word interlude towards the end. This segment can be perceived as a departure from the melodic flow established earlier in the song. Spoken-word segments in music can serve various purposes, such a...

  Why Spandau Ballet’s “True” Should Have Been Sky & Raven Whitney’s Pop Music Favorite from a Cancelled Soap Opera, “The Edge of Night” Spandau Ballet ’s “True” should have been Sky & Raven Whitney ’s pop music favorite from the cancelled soap opera “The Edge of Night” due to the band’s white skin because the song “True” by Spandau Ballet was a massive hit in the 1980s and resonated with audiences across different demographics. The smooth and romantic vibe of the song, coupled with its catchy melody and heartfelt lyrics, made it a perfect choice for a pop music favorite on a soap opera like “The Edge of Night.” Additionally, the band’s popularity and success during that time would have added to the appeal of featuring their music on the show. Why the Pop Music Video of That Song Should Have Had Dancers Dancing in an Upbeat Slow Bossa Nova/Pop Style Including Tracey Ullman and Her Female Dancers Splicing Up That British Pop Band Instead Original of That Band Alone The pop...

  Explanation of Nancy Wilson’s Vocal Resemblance to Barbra Streisand in “These Dreams” In the song “These Dreams” performed by the American rock band Heart , Nancy Wilson ’s voice may have sounded like Barbra Streisand due to her mezzo-soprano vocal range. Mezzo-soprano is a female voice type that falls between soprano and contralto. This range allows singers like Nancy Wilson to have a rich, warm tone with a lower register that can sometimes resemble the depth and timbre often associated with Barbra Streisand’s singing style. Nancy Wilson’s mezzo-soprano voice likely contributed to the similarity in sound between her vocals in “These Dreams” and Barbra Streisand’s singing. Both singers possess a certain richness and depth in their voices that can evoke emotional resonance in their performances, creating a connection with the listener that is characteristic of their respective vocal styles. It is important to note that while there may be similarities in vocal quality between Na...

Kalabash Twins ' song, "Heavy Under You" , was a bad mistake that hurt families and children after "Heathcliff and Marmaduke" ended on December 6, 1981. The song contained explicit lyrics and themes that were considered inappropriate for the younger demographic that watched the show. The lyrics were vulgar and the song contained references to drugs and alcohol that could have potentially negatively influenced the young viewers. The song was a bad mistake and should be removed and deleted because of its vulgarity. It could have caused confusion and distress among the children that watched the show, and it should not be tolerated. The song "Heavy Under You" by Kalabash Twins is inappropriate and vulgar due to the explicit lyrics and should be removed from any public or private spaces. The content of this song is not appropriate for all audiences and can be seen as offensive and disrespectful. Replacing it with a clean and appropriate song by Gregory Isa...

  It is possible that female backing singers Candy McKenzie , Joy Tulloch , Yvonne McKenzie , Sharon Tucker , Aura Memang , Judy Mowatt and Anicia Banks from both UK and Jamaica were not available at the time of the recording of "Hot Stepper" , or that Gregory Isaacs chose not to use them. It is also possible that the female backing singers were not credited on the album for some unknown reason. The reason why these female backing singers were not invited to sing backup behind Gregory Isaacs on "Hot Stepper" from his album, "Night Nurse" , released in 1982 is likely because the song was recorded prior to their involvement as backing singers. At the time of the recording, Isaacs was working with a different set of no backing singers, which explains why the aforementioned singers were not invited to sing backup.

 Given the theme of the song, "A Little Piece of Heaven" , performed by British pop/rock duo Godley & Creme , an American wedding cake pop music video would be a great fit. The video could feature clips of Stefan & Chloe, then Sonny & Brenda, from different American soap operas.  This would add a more personal touch to the video, as viewers would be able to connect the characters with the story of the song. Furthermore, the visuals would be more vibrant and colorful, and the music video would have a unique American style to it. This would be a great contrast to the unmodified clouds music video that was done in a British style.

 The I-Threes , consisting of Judy Mowatt , Marcia Griffiths , and Rita Marley , were known for their incredible vocal harmonies and their contributions to Bob Marley 's music.  However, they did not sing backup behind Gregory Isaacs on his song "Material Man" from his 1982 album, "Night Nurse." There are several reasons why this collaboration did not take place. Firstly, it is important to note that the I-Threes primarily worked with Bob Marley and the Wailers , providing backing vocals for their iconic reggae sound. While they occasionally collaborated with other artists, their main focus was supporting Bob Marley's music and spreading his message of love, unity, and social change. Secondly, Gregory Isaacs had his own unique style and sound, often referred to as the "Cool Ruler." His smooth and soulful voice, combined with his romantic lyrics, made him a beloved figure in the reggae genre. While the I-Threes were undoubtedly talented, their vo...

  Burned off in the dog days of summer 1984 and banished to the Land of Forgotten and Unsold Pilots, here's the complete broadcast of another such example– TLC – which aired one summer night over the NBC Network via WMAQ Channel 5 in Chicago. This pilot was about two young men (James Vallely and Jonathan Schmock) who were admitted as the first male students at the Philadelphia Academy of Nursing; the cast was rounded out by Cathy Silvers (yes, for those who ask, she's Phil's daughter), Stacey Nelkin, Rosalind Ingledew, Mary Gallipoli, Jeré Fields, and Jessica Walter (R.I.P.) as Dean Craigmont. Also appearing were Rex Ryon, Ritch Shydner, Judy Walton and Wendy Levin.

  "Nature Boy" is a song first recorded by American jazz singer Nat King Cole. It was released on March 29, 1948, as a single by Capitol Records, and later appeared on the album, The Nat King Cole Story. The song was written in 1947 by eden ahbez and is partly autobiographical. It is a tribute to ahbez's mentor Bill Pester, who had originally introduced him to Naturmensch and Lebensreform philosophies, which ahbez practiced. When Cole was performing in 1947 at the Lincoln Theater, ahbez wanted to present the song to him, but was ignored. He left the copy with Cole's valet, and from him the singer came to know of "Nature Boy". After receiving appreciation for his performance of the song, Cole wanted to record it but needed consent from the writer. Eventually, he tracked down ahbez. Here is the Central Line Version from 1983: The recording took place on August 22, 1947, and featured an orchestra conducted by Frank De Vol—the in-house arranger of Capitol Record...

Tracklist A Just You And Me Tonight B Version Credits Producer – Augustus "Gussie" Clarke  

Tracklist A It's Now Or Never B It's Now Or Never (Version) Credits Producer – Augustus "Gussie" Clarke  

  Tracklist A Mr. Hard To Please B Hard To Please ( Cont'd) Version Credits Producer – Augustus "Gussie" Clarke

Tracklist A The Night Is All Over  B The Night Is All Over (Dub Side) Companies, etc. Published By – Nikashra Music Distributed By – WKS Records Credits Arranged By – Willie Lindo Producer – Willie Lindo Written-By – W. Lindo * Barcode and Other Identifiers Rights Society: BMI  

Tracklist A1 Teach The Youth Arranged By – Sangie Davis *, Nadine Sutherland Backing Vocals – Andrea Green *, Sangie Davis *, Dalton Brownie , Dornet Myers *, Joy Tulloch , Leroy Hammond , Melessa , Pam Hall Bass – Derrick Barnett , Bagga Walker *, Errol Carter Clavinet – Franklyn Waul * Drums – Sangie Davis *, Cleveland Brownie *, Lincoln Scott * Guitar – Dalton Brownie , Dwight Pinkney , Eric Lamont , Larry White (5) Keyboards – Michael Cooper (2) Organ – Franklyn Waul *, Stephen Stewart Percussion – Sangie Davis *, Everton Carrington , Herman Davis (3) Piano – Paul Dixon (2) , Anthony Johnson *, Stephen Stewart Producer – Sangie Davis * Saxophone – Egbert Evans Synthesizer – Mallory Williams Trumpet – David Madden , Frank Aird , Michael Carol * Written-By – Sangie Davis * A2 Until Arranged By – Willie Lindo Backing Vocals – Cynthia Schloss , Desi Young *, Fox Stewart , Pam Hall Bass – Derrick Barnett , Lloyd Parks , Robbie Shakespeare Drums – Michael Richards , Sly Dunbar Electronic...